Sheet Music – £ – Ligeti, György – San Francisco Polyphony – orchestra ( study score). The arrow-driven harmonic certainties of Jonathan Nott and the Berlin Philharmonic (in Teldec’s Ligeti Project, 8/02 – nla) get straight to the heart of the matter. View credits, reviews, tracks and shop for the Vinyl release of Doppelkonzert / San Francisco Polyphony / 2 Etüden Für Orgel / Glissandi on Discogs.
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In contrast to the composer’s early pieces, which used the shimmering moving liveti of what Ligeti calls “micropolyphony,” this composition uses much wider spacing and aims for “drier, sharper, and more graphic The Ligeti Project, Vol.
Underscored by low string drones, the winds begin trills like the calls of extraterrestial birds.
San Francisco Polyphony
Requiem; Apparitions; San Francisco Polyphony. A shockingly loud bass drum shot occurs as the strings continue to hold.
Heroic and passionate melodic gestures arise first in the unison horns and then in the strings, as the other instruments re-create the dense atmospheric bed heard at the beginning.
A second percussive shock comes from a gong which increases the intensity of the massed winds. The rushing tempo is gradually slowed down to a cycling pattern, which is taken up by the winds as the strings return to a sustained chord. All the players then begin different fixed cycling patterns. Streams Videos All Posts.
AllMusic Featured Composition Noteworthy. The piece opens with a dense texture made up of many individual melodic lines. Share on facebook twitter tumblr.
This whirlwind continues unabated as if all the melodies in the world have become one giant wave patternchanging its orchestration, ebbing slightly at points, and then after approximately three minutes intensifying toward a loud and sudden conclusion. Rainy Day Relaxation Road Trip.
San Francisco Polyphony, for… | Details | AllMusic
Jazz Latin New Age. The percussion blast initates a high woodwind cluster reminding one of Ligeti ‘s early orchestral work, Atmospheres. Romantic Evening Sex All Themes. The winds continue to float, cycling in the air until interrupted by a wide-ranging, very quiet dissonant string chord. Drinking Hanging Out In Love. These trills are gradually modified into quickly running patterns for a solo violin, which are spread to the piano and xylophone, then to winds and back to the string section — a wonderful instance of the very subtle shifting of timbres which characterizes much of this work.
The number of voices is very gradually reduced, producing an unusual ascending-pitch illusion which leaves only the higher woodwinds playing.
Out of that sustained mass, melodies again begin to emerge, slowly at first and then in an onrushing cacophony of strings here the winds hold a sustained tone. A slowly unfolding horn melody appears within these patterns, the melody being transferred to various winds and brass. Sexy Trippy All Moods. A very mysterious timbre is left with very high strings, very low strings, and a high brittle piano trill.
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