Dual Noise Gate HP and TP filters, “Key List” option, Stereo Mode, Envelope control, Controls: Attack, Hold, Decay, Range, Balanced inputs and outputs, Format. The Drawmer DS is a dual channel gate designed for use in the recording studio. I’ve personally only used it in the studio, so I can’t really. I used to think that gates were all the same. I bought an inexpensive quad gate years ago and have used it quite a bit for cleaning up a bit of tape hiss or amp.
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Each of the two channels has the same make up, each consisting of parameters for threshold, attack, hold, decay, range, and for both a high and low pass filter. Each channel can be individually switched from Gating to Ducking for ‘voice over’ applications or the removal of ‘clicks’ and ‘pops’. Variable high pass and low pass filters for “frequency conscious” gating.
This impressive reputation made me curious enough to For example, when attempting to separate a It overall has a very clean sound and will do exactly what you tell it to do without adding anything on it’s own. Most members of our service staff are musicians themselves, and therefore excellently qualified to help our customers from the choice of their instruments all the way to maintenance or repairs.
This can often be experienced in the studio when recording a drum kit. While gating devices have certainly been used less and less over the years due to current technology, the DS has done well by sticking around a lot longer than other units.
Can be used for “Gating” or “Ducking”. I don’t think that users will need a manual, but I’ve never had a look at it myself, so I can’t comment on it’s make up. The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry.
Setting up noise gates can be tedious and unrewarding. Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive.
These are the best gates I’ve ever worked with, and I now understand why they’re found in many studios. The Drawmer DS is a dual channel gate designed for use gaet the recording studio.
Drawmer Electronics – DS
DS – Dual Noise Gate. Balanced inputs and outputs. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. It is rack mountable and will only take up a single space in traditional rack casing.
Thus preventing any possible “rack rash” or scratches.
This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise. Marcus Miller M7 Swamp Ash 5st TBK 2nd Gen, 5-string electric bass made by Sire, swamp ash body, flamed maple top, bolt-on maple neck, C neck shape, 35″ extra long scale, ebony fretboard, dot inlays, 12″ radius, 45mm saddle width, Sound the trumpets; Universal Audio has done it again!
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Drawmer DS Signal Processors/Rack Effects | eBay
This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise. The DS is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates.
Key input for external triggering. Performance Synthesizer Fully-fledged digital workstation with synthesis parts, sequencer, effects and video output, 16 individual tracks for different synthesis forms and samplers, Innovative pattern sequencer with infinite pattern length and complex control options for each step, MIDI, CV, Trigger, No other accessories included.
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Setting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem.
The first famous compressor with this topology, of course, is the Teletronix LA-2A; its rich and dark tone The DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry.
The unit can be switched to accept a key input, which allows the gate to be triggered externally.
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Variable high pass and low pass filters for “frequency conscious” gating. Original review Show translation. The very fast attack of the DS means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed.
Add to wish list. Another important role pl These parameters fall under three main sections for key source, function, and output, each with their own switches to choose different modes. We have gatd wide variety of pages giving information and enabling you to contact us before and after your purchase.
This can often be experienced in the studio when recording a drum kit.