Hamza Humo Grozdanin Kikot. 47 likes. Book. Hamza Humo Grozdanin Kikot. Privacy · Terms. About. Hamza Humo Grozdanin Kikot. Book. 47 people like this. Get this from a library! Grozdanin kikot: izabrane pripovijetke. [Hamza Humo; Enes Duraković]. Get this from a library! Grozdanin kikot.. [Hamza Humo].
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Users should refer to the original published version of the material for the full abstract. Furthermore, our novel, as well as ballade, with its historical background is indicative of the eonneetion among individual, family and society.
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Pjesme ;Grozdanin kikot: izabrane pjesme i pripovijetke – Hamza Humo – Google Books
Based on the high achievements of contemporary theatre aesthetics, directed and turned towards the being and perception of the young spectator, with the offered repertoire it has largely contributed to affirmation of the entire European and worldwide creative thought in this field, to a different notion of semiotics, and by it of semantics of this type of representation.
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Inwhen it was being constituted and established, the hesitant and faint-hearted considered that act an adventure. This paper deals with an analysis of stylistic value of lexical rgozdanin in the literary work of Grozdanin kikot by Hamza Humo. A significant place within this tradition is occupied by sevdalinka and ballade as the most valuable artistic forms which also had a huge influence on the Bosniak literature.
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At the thematic level, family, woman and love constitute a backbone grozdxnin sevdalinka and ballade, so, in this text we are going to point at such themes and protagonists in novels intending to recognize the implicit presence of sevdalinka-ballade elements in the novefistic discurse. In addition, the analysis includes their semantic-stylistic qualities established with their structural and rhythm-melodic effects.
This abstract may be abridged.
Karolina Spaić Wins International Award ‘Grozdanin Kikot’
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With such programme orientation the International Festival has best demonstrated and proved that it is possible to meritoriously and superiorly judge but also to influence the movements and development of the contemporary theatre for children as a whole from such a cultural centre as Subotica.
The analysis is focused in stylistic figure repetitions as one of the most obvious signals of recurrence and text cohesion in Grozdanin kikot.
DIJANA MILOSEVIC – La MaMa Umbria International
Oral tradition is one of the key factors which mark the spiritual culture of Bosniaks. Even though our first narrators were under a big influence of sevdalinka-ballade narrative, the portion ofthese oral forms in their work didn’t go beyond thematic-motif level and more or less successful creation of the atmosphere that reminds one of sevdalinka and ballade.
Since the lyric contents is superior to the epic in a ballade, lyric elements present a significant factor of the novel structure in the Bosniak novel. Because of that, and not without reason, it has become the hub and one of the few oases of the noble encounters of contemporary literary-theatrical and theoretically scientific accomplishments, but also the one of the unavoidable factors of European gtozdanin world integration processes in the field of culture.